Swallowed by 10-meter-high walls, the stage takes the visitors On the Road
Imagine a stage design with 10 by 10 meter high and wide walls, but still being able to be installed and taken down efficiently.
When creating a complex scenery built up by several different images inspired by a claustrophobic atmosphere with ten-meter-high walls surrounding the whole stage, Amber Vandenhoeck, lighting designer and set designer, based in Antwerp, Belgium, was for the first time introduced to printed cotton fabric. The realistic print transformed the stage from imagination to reality.
No detail is too small when making it big.
Wandering around on Google maps
In parts of the novel, it is described that the main character is running around in courtyards or at stations. This became the main inspiration when creating the set design. Amber, together with the director David Marton, was appealed to not making it into an open space, but to create a closed, almost claustrophobic stage design. But instead of real life traveling they wandered around on Google maps searching for courtyards and deserted backyards.
Making 10-meter-high walls into reality
Since images from Google Maps can’t deliver the artwork quality needed when making it big, one extra dimension in the project was to create a photoshop collage of the location putting the pieces together. The result made it look a bit more bizarre, and created a whole new picture of the place, which Amber thought probably couldn’t have been achieved in one single photo.
When it was time to make the artwork into reality, Amber was recommended from the Münchner Kammerspiele technical office to get in contact with Big Image.
“I completely let myself get advised by Big Image, and I immediately was delighted by the cotton fabric and its qualities and possibilities.”
One challenge was to make the set design manageable and easy to be installed and then taken down when the walls are 10 by 10 meters. The solution was to install the fabric onto wooden frames.
“We put the cotton fabric over wooden frames, but the joints between the frames had to disappear completely which it did. It has to do with the quality of the cotton fabric, the quality of the prints, the quality of the finishing and the craftsmen putting it all together. In the end we were really, really happy with the result.”
To learn more about our work with set designers for theatre and opera, or how we can help take your idea from imagination to installation – please get in touch!